The website swisscommunity.org published a story about ‘What now for Nemo?’. Check it out below.
“Switzerland’s Nemo is the first non-binary act to win the Eurovision Song Contest. Is Nemo now set to become Europe’s queer icon? And what are the Berlin-based singer’s prospects for the global career that many have predicted?
Everyone is talking about Nemo. But Nemo has withdrawn from the limelight for the time being. It would be interesting to catch up with Nemo – who identifies as non-binary – to ask them what they feel (the artist uses they/them pronouns). We would love to hear from them about their momentous win in Malmö. What are the implications for Nemo’s career and life in general? And in particular, what does it mean to non-binary people in Europe? Is this a game-changer for gender identity? Is Nemo the queer community’s answer to Greta Thunberg?
Nemo is currently unavailable for interviews. According to record company Universal Music, the artist is focusing solely on the “next creative process and forthcoming live performances” – and asks for a little patience. We completely understand. Anyone doing what Nemo has just done would need time to adjust and let the dust settle. Nemo is lying low in Berlin. Born 25 years ago in Biel, this year’s Eurovision Song Contest (ESC) winner Nemo Mettler, known professionally as Nemo, has chosen the German capital as their adopted home.
As a child, Nemo learned to play the violin, piano and drums, and had extensive singing lessons. Their first major performance came in Biel at the age of ten, in the role of Papageno in a children’s opera version of “The Magic Flute”. Nemo got involved in musicals following this classical debut, appearing on stage at the age of 13 in “Ich war noch niemals in New York” – a German-language musical based on the songs of Udo Jürgens. But it was in hip-hop that Nemo found their true calling, winning four Swiss Music Awards after making their mark in 2017 with hit single “Du”. Back then, Nemo was still known as a male artist. Nemo then left Switzerland and moved to Berlin, where they would eventually come out as non-binary exactly six months before ESC.
And what now for Nemo? After Malmö, the initial reaction among reporters was that the ESC winner is set for a global career. But this is unlikely. “The Code” was certainly a good song – an original combination of drum ’n’ bass, hip-hop, pop and classical showcasing of Nemo’s impressive singing voice in the chorus plus a very personal autobiographical message (“I went to hell and back, to find myself on track”). Yet it was also quite formulaic; the unmistakeable product of an experienced songwriting think-tank and hit factory consisting of Benjamin Alasu, Lasse Nymann and Linda Dale, trimmed from the outset into a suitable format. A song written by Nemo, but also slightly manufactured. We won’t be humming it like “Waterloo” in 50 years’ time.”
You can see Nemo with his winning 2024 Eurovision song, The Code, below.
Source: ESC Covers; swisscommunity.org – Photo: @nemothings