Category Archives: News

NEW SEATING ARRANGEMENTS FOR OGAE R O W MEMBERS

Re: [OGAE INTERNATIONAL PRESIDENTS’ BOARD] Dear all, please have a look at the seating map…

  • Re: TICKETS 2015 PURCHASE INFO
    by maiken » Fri Apr 17, 2015 10:05 pm
    I regret to inform you that our seats were changed, and the changed have now been implemented in the seating map. There are no major sufferings tho, I had to split some of the bigger clubs, but otherwise the new seats are now better compared to the old ones.
    Please check that your seats are correct!
    (The new seats are in block 75 – rows 00-01 – seats 105-120).

    The change for us is only in Semi 1 Rehearsal.

    The new info:

     

    47630721
    OGAE ROW Vasila Ablakulova
    UZB
    74/04/94
    75/03/118
    74/11/111
    74/04/104
    74/11/105
    74/06/94
    47277889
    OGAE ROW Michele Acott
    AUS
    74/04/97
    75/03/116
    74/11/105
    74/04/105
    74/11/106
    74/07/96
    47277544
    OGAE ROW Kent Acott
    AUS
    74/04/98
    75/03/117
    74/11/104
    74/05/105
    74/11/107
    74/07/97
    46607434
    OGAE ROW Nail Agadullin
    RUS
    74/04/91
    75/04/118
    74/11/109
    74/05/103
    74/11/102
    74/06/96
    46658927
    OGAE ROW Sandra Allen-Wetzler
    AUS
    74/04/95
    75/04/116
    74/11/107
    74/04/106
    74/11/108
    74/07/94
    47630315
    OGAE ROW Olimkhon Bakirkhonov
    UZB
    74/04/93
    75/03/119
    74/11/110
    74/04/103
    74/11/104
    74/06/95
    46607763
    OGAE ROW Evgeny Borzov
    RUS
    74/04/92
    75/04/119
    74/11/108
    74/05/104
    74/11/103
    74/06/97
    46615421
    OGAE ROW Luke Brighty
    AUS
    74/04/99
    75/04/114
    74/11/103
    74/05/106
    74/11/110
    74/06/98
    46664185
    OGAE ROW Annette Molesworth
    AUS
    74/04/96
    75/04/117
    74/11/106
    74/04/107
    74/11/109
    74/07/95
    46607114
    OGAE ROW Michael Wing Lun
    AUS
    74/04/100
    75/04/115
    74/11/102
    74/05/107
    74/11/111
    74/07/98

     

     

     

    Conchita’s debut self-titled album out on 15 May 2015

    ‘Conchita’ is the debut album by Conchita Wurst and will be released on 15 May 2015 in Austria, Germany and the Netherlands and on 18 May in the United Kingdom. The album includes the singles “Heroes”, “You Are Unstoppable” and her 2014 Eurovision Song Contest winning song, “Rise Like a Phoenix”. In addition to these three songs are two songs published by Sweden Songs, “Put That Fire Out” and “Other Side of Me”, both written by Erik Anjou.

    Conchita_album_cover

    The full track listing is:

    No. Title
    1. “You Are Unstoppable”
    2. “Up For Air”
    3. “Put That Fire Out”
    4. “Colours Of Your Love”
    5. “Out Of Body Experience”
    6. “Where Have All The Good Men Gone”
    7. “Somebody to Love”
    8. “Firestorm”
    9. “Pure”
    10. “Heroes”
    11. “Rise Like a Phoenix”
    12. “Other Side Of Me”

    SASCHA REVIEWS VIENNA…SEMI 1.2

    The final of the Eurovision Song Contest 2015 is just over 1 month away away and this year’s Eurovision artists are hard at work promoting their entries. You’ll have seen the videos or heard the songs (you can find them all here) and I am sure you all have your own personal favourites.

    I’m am taking a look at all the songs in this years contest and providing some brief thoughts. If you agree or disagree, why not add your comments at the bottom of the page.

    In order to avoid personal bias, I’ve decided to review the songs based on their semi-final. So in part 2, we’re looking at the second half of Semi-Final 1 (plus 2 of the songs already qualified for the Grand Final).

    Serbia Serbia Beauty never lies – Bojana Stamenov Score
    This is a strong entry by Serbia this year. It is also the first time ever that they are performing the song in English. Bojana has very strong vocals, but the song is VERY big and I hope she can pull it off on stage every night. I think this should easily qualify for the finals. It probably won’t win the contest altogether, but should become a classic at Eurovision parties for years to come. 13

    Hungary Hungary Wars for Nothing – Boggie Score
    This is the kind of song that tends to do relatively well at Eurovision. The simple and pleasant voice with backing guitar singing about making the world a better place. Unfortunately I feel we’ve had this type of entry a few times too many now. It is placed between 2 songs in the semi-final with much more of a stage presence, so they will need something to make the viewers take note of Boggie if they hope to make it to the final. 7

    Belarus Belarus Time – Uzari & Maimuna Score
    For me, this is a great Eurovision song. Something you can sing along too, and also has potential for great staging with the violinist in the hour glass. The vocals are quite strong although a little more attention could be taken on the diction of the words. I would love to see this song qualify for the finals, and with a professional staging, I think Belarus should be able to make it to the Saturday night. 14

    Russia Russia A Million Voices – Polina Gagarina Score
    I absolutely love this song. It is everything I want from a Eurovision ballad – the slow buildup, the strong vocals, a good message (even if it does come from Russia), the big notes….this is certainly one of my favourites. It will easily qualify for the Final (although this will probably be met with the usual boos from the audience). 19

    Denmark Denmark The Way You Are – Anti Social Media Score
    This is unmistakenly Danish. Slightly retro, but yet slightly modern. A good little vote earner from many of the countries around Europe, it is sure to make it to the final. I don’t think it is strong enough to win, but it is a pleasant song that you can tap your foot to. 12

    Albania Albania I’m Alive – Elhaida Dani Score
    In a year with a number of “Angst-Ballads”, I think this is probably one of the strongest. Elhaida has a fantastic voice and this song is a very strong entry from Albania. It is one of the few songs that I end up singing to myself after I hear it which should hopefully help Albania in the results. I’m Alive, is certainly a better entry than the one Albania had originally selected, and hopefully changing the song will end up working out in Albania’s favour. 17

    Romania Romania De la capât (All over again) – Voltaj Score
    Romania is very often one of my favourite entries, although this song is a far departure from their usual high energy songs. It is a very high-quality soft-rock song and should be performed brilliantly on the night, given the quality of the artists. It’s not the type of song that usually sets the scoreboards on fire, but I do enjoy it, and it will be included in my Eurovision playlists from now on. Hopefully Romania will be rewarded on the night for entering this very high quality song. 15

    Georgia Georgia Warrior – Nina Sublatti Score
    I love Nina’s voice, and at first the song sounds like it had great potential, but unfortunately I am not sure if the song quite does it for me. It is slightly too repetitive and I find myself not really paying attention by the end of the song. Hopefully Georgia will be able to keep our focus through the staging but for me, I think this song is in danger of not qualifying. 9

    Austria Austria I am Yours – The Makemakes Score
    I think this is a very confident entry for a hosting nation. Something that won’t win, but is good enough to make them proud. It is obviously inspired by the great bands of years gone by, but yet still feels current, meaning it should appeal to both the younger and older generations. The Makemakes have a good stage presence and perform with confidence which should see Austria quite high on the scoreboard. 14

    UnitedKingdom United Kingdom Still in Love with you – Electro Velvet Score
    Easily one of the most controversial entries this year. After some promising hints from the BBC, fans were expecting something very modern, only to be surprised by a Charleston. I personally really love this song for Eurovision. Having seen Electro Velvet perform the song live, they certainly have the vocal ability to provide a great performance on the night. And the song is so different from any other this year, that is should stand out. Hopefully the BBC will be able to come up with some really innovative staging, was the song really does need more than just 6 people of stage and some flashing lights. I doubt that it could win, but I suspect that it will fare much better than the UK’s songs the past few years. 17

    OGAE R O W EXPANDING

    Got the following e-mail this morning – so soon we will welcome also people from Chile to the network. Interesting to note that HERA BJORK is now living there and she is coming to Vienna as backing singer for Iceland.

    Hello Roy,

    It looks like the OGAEmanía is growing jajaja

    Now, people from Chile, which I haven’t had contact yet because I did not
    know noone wrote me asking me how to become oficial group for RoW inChile, they are 2 in charge, Marcelo and Ignacio who have been working with their group since 2 years ago, they have 71 members in this moment,
    they have made activities specially for the final and last year, they have the opportunity to have Hera Bjork who lives in Santiago, Chile in reunion they organized for the ESC final, also for them, I’m going to give your email but I wanted to let you know first, they are going to write you.and give some background.

    Best regards

    SASCHA REVIEWS VIENNA…SEMI 1.1

    The final of the Eurovision Song Contest 2015 is less than 2 months away and all the songs for this year’s contest are now know. You’ll have seen the videos as they were released (you can find them all here) and I am sure you all have your own personal favourites.

    Over the next few weeks, I will give you my review of this year’s entries. The views are entirely of my own personal opinion and I encourage you to share your views in the comments section. Please do try to keep your comments constructive though, rather than simply declaring your hatred for the entry.

    In order to avoid personal bias, I’ve decided to review the songs based on their semi-final. So in part 1, we’re looking at the first half of Semi-Final 1 (plus 2 of the songs already qualified for the Grand Final).

    Moldova Moldova I Want Your Love – Eduard Romanyuta Score
    Initially this song feels familiar. It has a catchy beat and tune, but you feel like you’ve heard it before. In my opinion, it does feel slightly dated for the modern audience – although a good little pop song, a bit unremarkable. Had it been entered a few years ago, I think it would have had a broader appeal. It should however still find some fans around Europe. 7

    Armenia Armenia Face the Shadow – Genealogy Score
    This is a very mature song. Well produced and performed and with a lot of potential. The idea behind the band is great and the performers each very good. However I feel there may be some work to go on this song. The singers sound great individually and in harmony, but when moving from one singer to the next, their different singing voices seem to compete with one another rather than blend together. If they can better match the solo parts so that the voices have more cohesion, then this could do very well. 13

    Belgium Belgium Rhythym Inside – Loïc Nottet Score
    This is one of those songs that you either love or you hate. It is a style of music I quite like from time to time, but unfortunately the first time I heard it I was left underwhelmed. It has grown on me to some extent however. It is an incredibly modern and professional song and very brave of Belgium to select an entry like this. It will all depend on the staging for them in my opinion. 14

    Netherlands Netherlands Walk Along – Trijntje Oosterhuis Score
    I can’t help but like this song. It is very well performed and has a feel good factor that makes you happy listening to it. It is missing the wow factor though. The song is quite repetative, so you expect it to build up to something special (maybe a spectacular key change or a change in tempo) but it doesn’t quite happen. It’s likeable and should get votes, but is it enough? 15

    Finland Finland Aina mun pitää – Pertti Kurikan Nimipäivät Score
    This is a very difficult song to review. It is in a very specific genre and if you don’t like that style of music, you’re never going to like this song. It’s going to stand out, it’s going to cause discussions, and it probably will get votes. 4

    Greece Greece One Last Breath – Maria Elena Kyriakou Score
    A beautiful ballad and very “Eurovision”. Greece continues to enter good quality entries. In a year with a lot of ballads, this one should stand out a bit as it really is meant for a big stage. It ticks a lot of boxes, and assuming a good staging and performance, should to very well indeed 16

    Estonia Estonia Goodbye to Yesterday – Elina Born & Stig Rästa Score
    A very contemporary entry (with a retro feel) very reminicent of The Common Linnets last year. The artists have great voices and the simple staging in the national final should work well to gian votes from both the Jury and the Public. Although not one of my personal favourites, I think it will score well 15

    FYR Macedonia FYR Macedonia Autumn Leaves – Daniel Kajmakoski Score
    FYR Macedonia is usually one of my favourite entries every year, however I really wish they hadn’t decided to enter the song in English. The original was one of my favourites of the year. In English, I feel it gets a little lost among the other entries. It’s very pleasant to listen to, and is still a good song, but will it get the votes? 11

    Australia Australia Tonight Again – Guy Sebastian Score
    A very good quality song from a great singer. It’s very contemporary and something you are likely to sing along to on the radio. In my opinion, this R&B style song could be difficult to stage though. A great song also needs a great performance to get the votes. Will Australia be able to pull off a great stage performance with this entry though? I think it is likely to do better with the Juries than the televoters, but given this wildcard entry is a first, who knows what will happen? 16

    France France N’oubliez pas – Lisa Angell Score
    Everything you expect from a French power ballad. A very sophisticated song and performance with the potential for fantastic staging. With the right position in the final, it could do very well – particularly with the Juries 16

    Press article on the Opening of ABBA The Museum

    OGAE Rest of the World members Kent and Michele Acott (Perth, Australia) were fortunate to attend the opening of Abba The Museum two years ago in Stockholm, Sweden. The following article was written by Kent Acott (Perth, Australia) and appeared in The West Australian Newspaper on May 9 2013. The three attached photographs were taken by Michele at the opening and during Bjorn’s address to the media.

    STOCKHOLM

    Abba fans around the world finally have their mecca — a place to pay homage to the Swedish quartet who dominated international music charts for most of the 1970s and 1980s.

    The Abba Museum opened on the island of Djurgarden in Stockholm on Tuesday after years of planning and almost exactly 30 years since the supergroup called it quits.

    “I wanted somewhere where I could take my grandchildren and show them what all the fuss was about, ” band member and museum co-ordinator Bjorn Ulvaeus said just hours before the doors opened.

    “This is the place that tells our story — in our own words.

    “When I walk around the museum, it is difficult to understand that it really did happen — and that it happened to us, to me.

    “All of those numbers — the 380 million records sold, the 50 million people who have seen Mamma Mia the musical — are too difficult to understand, to contemplate.

    “We took our music very seriously. Everyone else was fun.

    “It has been 30 years since the group was together and I think that time has given some perspective to the Abba story. It is this perspective that makes the story so interesting, I think.”

    The West Australian was among a handful of international media organisations provided with a preview of the museum, which offers a highly interactive journey through one of the biggest success stories in contemporary music history.

    Patrons have the opportunity to record their own song and dress up like Abba members.

    There is even the chance to become the fifth member of Abba — thanks to the magic of animated graphics and holographics.

    There is also a self-playing piano that is linked to Benny Andersson’s studio in the Stockholm suburb of Skeppsholmen.

    When Andersson plays, the museum piano plays.

    And to recognise the 1973 hit Ring Ring, there is a red telephone. Only four people in the world have its number so, when it rings, you know it is a member of Abba.

    “We wanted to create both a documentary and a spectacular music exhibition, ” museum manager Ingmarie Halling — the group’s former stylist — said.

    “We had a solid archive, to say the least. Everything was saved.”

    Museum chief executive Mattias Hansson said the four members of the group had “cleaned out their closets” to donate items to the museum.

    Other pieces were found or bought. For example, the band’s original music mixing table was found in a garage in Germany.

    Abba toured Australia in 1977, including five concerts in three days at the now-demolished Perth Entertainment Centre from March 10-12.

    The significance of Australia to the band’s success is not lost in the museum, with frequent references, including a section devoted to the movie shot when they toured.

    The museum opening marks a big week for Abba. Ulvaeus and Andersson have co-written the theme song for next week’s Eurovision Song Contest in Malmo, in southern Sweden.

    And Agnetha Faltskog is about to release her first album of new material in 25 years.

    The single, When You Really Loved Someone, is already charting well in some parts of Europe.

    By Kent Acott

    The West Australian

    [table id=6 /]

    Australia announces its song for Eurovision

    After weeks of agonising over what the Australian song to be sung by Guy Sebastian would be like, the overwhelming consensus among Eurovision fans here in Australia is that is very good.

    The song was officially launched by SBS on their national evening news bulletin and follow-up show ‘The Feed’. Titled ‘Tonight Again’, the song has quite a contemporary R&B sound, up-beat and funky. There is a strong brass element and it is supported by excellent back-up singers.

    Many thought the song would be taken from his current album ‘Madness’ and likely to be a ballad. But Guy has proven us all wrong and written something completely new in just under a week. And what’s more, he’s recorded a video clip to support it.

    Guy mentioned in the news broadcast that he wanted the song to be fun and went on say “it is about moments in life you do not want to end and you could live those moments every day”.

    Since the release, the level of opinion expressed on various Facebook pages, media outlets and Twitter has been huge. Let’s hope everyone here in Australia and around the world gets right behind Guy and his song Tonight Again.

    Guy Sebastian
    Guy Sebastian

     

     

    A MONSTER LIKE NORWAY

    The Norwegian national final, Melodi Grand Prix, was held by the national broadcaster NRK this evening to select the Norwegian representative in Austria come May.

    The winner, performing for Norway in Vienna, was Mørland & Debrah Scarlett with their entry, A Monster Like Me.

    Do you like the Norwegian entry this year? Will Norway add a 4th victory to their Eurovision history in May?